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A METHOD TO OUR MADNESS

We’re highly process-driven at Q&A. Our files follow very specific naming conventions, project folders on our server are organized identically for each job. And inspired by NASA, we have lots of checklists: a moving to first art checklist, release checklist, and proofing checklists. Over the years, we’ve had some resistance from new hires in our […]

Cool resource: Indesign Scripts

We use Adobe InDesign for pretty much everything these days. It might be tantamount to sacrilege to say but I much prefer ID to Illustrator 90% of the time for graphic creation, because, well … PASTE INSIDE (hello Adobe? Why do insist on that ridiculous masking nonsense? Ugh.). Anyway. That is not to say InDesign […]

Exploring AI For The Design Industry. Part One.

Ai Image generate by the prompts

Part 1: Ethical Guardrails (& the Lack Thereof), Designer’s Dilemma & Why Is This Tech Happening Now? FULL DISCLOSURE: Let me first ask for forgiveness and patience. Like most people I am not an expert in AI. And after a lifetime of sci-fi and capricious market malignancy my instinct on the subject is to be perhaps […]

Recognition: Q&A’s TRANSlations Film Festival poster recognized by Graphis.

Quesinberry and Associates received an Honorable Mention by Graphis magazine for the Poster designed to promote Seattle’s 2022 TRANSlations Film Festival. This marks the 10th recognition Q&A has received from this prestigious international magazine.  About the Project TRANSlations is one of only a few transgender film festivals worldwide. The primary audience is LGBTQ+ and allies—with […]

Ancient Objects Uncovered

Excavating the mysteries of the design past. While excavating in our server room, our team of Design Archaeologists (it’s a thing) uncovered curious objects from the distant past. The team brought these forth to Wise Old Elders for identification. “Bring them here, to the light.” said the First Elder, as she stood in a shaft […]

Happy Together.

On working with your spouse.

Wendy and I have worked together pretty steadily for over 27 years.

It’s all I know. We met when Grunge and the internet were still new and beautiful. She was a young designer just out of SCAD transplanted to grey old Seattle. I was a ne’er-do-well long haired punk working a graveyard shift at a Kinko’s Desktop Publishing Computer Center.